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THE HUNGER GAMES

Panem through critical theory

Feminism
Katniss is a character that embodies many of the characteristics sought out by feminists.  She is a rebel, and yet true to a sixteen year old self.  She deals with issues of self-doubt, devotion to her family and friends, and has a will to always do the right thing.  She maintains a relatively positive outlook throughout the text, and yet her decision to not marry (and thus, not have a child who would be put through the torture of the Hunger Games) defines her as a strong female leading character.
            She is determined, inventive, and clever, and these aspects of her personality make her not only a more relatable character, but in addition, these characteristics help keep her alive throughout the Hunger Games.  She is smart and cunning, and she has strong emotions, yet is always able to keep these feelings in check.  She is continually aware that her family, friends, and district are watching her, and continues to do this for their sakes as much as her own.
            Even when kissing Peeta, she maintains her integrity by doing so to keep him alive, rather than for selfish reasons.  Although the public admires and adores this doomed couple, Katniss is able to understand that “one kiss equals one pot of broth.”  (261). She does all of this to benefit him, rather than herself. 
            Being such a strong female character, Katniss is a breath of fresh air for young adults that would normally veer towards books such as Twilight.  Like Bella, Katniss is caught in a love triangle between Peeta and Gale, but this is a subplot, rather than the main theme of the book.  Although her love for these two boys is prevalent within this novel, the main plot of the Hunger Games is survival.  



Marxism
The Capitol is depicted as a sort of aristocracy—a place where the wealthy watch as these tributes from the twelve districts must battle to the death. 
            The Hunger Games themselves are shown as a symbol of power and control which the Capitol exercises over the twelve Districts.  However, even within the space of the Capitol the citizens face a dystopia similar to that of the Brave New World or Feed
            The citizens of the Capitol are taught only to consume and live a life of extreme luxury.  There being thin and young is indicative of one’s wealth, where as in the Districts (especially District 12) being plumper or older is a sign of a hard lived life worthy of respect.  The citizens of the Capitol are forced to consume and worry only about their appearances. (Regarding focus on appearance, this is similar to the women in Iran in Persepolis where Marjane comments on how they've forgotten the politics behind the using of the veil.)
            What is frightening is that they force the Tributes to be beautified prior to the Games.  They pluck every hair, shape brows, clean the nails and strip the adolescents of the rags which tell of their miserable lives in the slums of Districts.  The government doesn’t allow the Captiol citizens to know that outside of their walls exist populations of hungering people.  They are simply distracted by their luxurious lives to care. 
            Yet more frightening is the fact that during the games the Tributes are forced to think of their survival and consumption of goods.  Their beautification is an ad for their survival, the better they look the more sponsors they get to send the extremely expensive gifts of food, weapons, or medicine in the arena.  We find during the Games that this is a large portion of Katniss’ preoccupations.